Ina’s credits include the television shows Grey’s Anatomy, Bones, Royal Pains, NCIS: Los Angeles, CW’s Ringer, NBC’s Outlaw, MTV’s Warren the Ape, and the blockbuster feature Heaven is For Real, adapted from the NY Times Bestseller and directed by Randall Wallace (Secretariat, We Were Soldiers).
On stage, she’s worked with renowned contemporaries Richard Montoya, Herb Siguenza, and Ric Salinas of Culture Clash, Performance Artist Guillermo Gomez-Pena, Playwright Marcus Gardley, and Victory Gardens Theatre Artistic Director, Chay Yew. Her favorite roles have been non-traditionally cast with heightened or stylized language – Olivia in an American Southern adaptation of Twelfth Night, and a staged reading of Gardley’s poetic The Road Weeps, The Well Runs Dry.
On the Russian stage, she’s played in Russian opposite Yuri Chursin (of the Moscow Art Theatre) in Tom Stoppard’s Arcadia; and Grigoriy Siyatvinda (of the Satyricon Theatre) in Buechner’s Woyzeck directed by Alexander Nazarov. She served as company member for the State Music and Drama Theatre of Moscow during the origination of James Rado’s Hair in Russian, a show that continues to run at the company’s resident theatre in Gorky Park. Russian television credits include the network series Марш Туретского (Turetskii’s March).
Ina holds a BFA in Theatre from the University of Colorado at Boulder and studied Meisner technique at Playhouse West with Tracy and Mark Pellegrino. Russian Theatre training includes certification from the American Soviet Theatre Initiative in collaboration with the Eugene O’Neill Theatre Center at the Moscow Art Theatre School (М.Х.А.Т. имени А.П. Чехова) where she was invited by the Head of Vocals, Marina Vladislavovna Smirnova, to continue study with a concentration in classical/operatic singing.
What is your ethnicity?
My mixed ancestry includes a Spanish line reaching back to the Royal Court of Madrid; Tarahumara of Northern Mexico; Jicarilla Apache; and French. I’m a living testament to American History as it happened in the Southwest…with dimples.
I’d heard about and fell in love with the Moscow Art Theatre (M.X.A.T.) at a National Theatre Conservatory Summer Intensive program in Denver. It sounded like a theatre ‘Mecca,’ given it’s role in American Theatre History, so it was fate when the Literary Director of the M.X.A.T, Anatoly ‘Tolya’ Smeliansky (The Russian Theatre After Stalin, After My Life in Art, Is Comrade Bulgakov Dead?) visited my University a couple years later. I scheduled a meeting with him the next day and left for Moscow the next semester.
Ultimately, I found myself straddling the globe with regular commutes between LA and Moscow. I saw so much great theatre and had the good fortune of being able to work with and meet renowned Russian artists. I found my way to the center of contemporary Russian Theatre as a student, and cut my teeth there as a professional. It was a magical time. Russians have a great appreciation and respect for live theatre and offered profoundly amazing experiences in that regard.Read More »